顏妤庭的作品主要以膠彩為媒介,試圖在傳統水墨符號的基礎上做轉化與再譯,使之延展出屬於當下台灣社會的面貌與意含。作品以水墨工筆畫為軸,亦參照相近媒材或文化的其他藝術表現形式,如波斯細密畫、傳統民間版畫與浮世繪之手法,以多視點、幾何與硬邊的空間佈置、幾何與硬邊的空間佈置等特點,嘗試補捉當今台灣社會揉合了歡愉與壓抑、熱切與疏離的分裂精神狀態以及令人尷尬的綜藝感。

Yen Yu-Ting uses Asian Gouache as the main media to transform and re-interpret the symbol of traditional Chinese ink paintings, which represents the components and concepts of Taiwanese society.

Inspired by traditional Chinese Meticulous painting, Yen also combines artworks using similar media and cultural presentations, such as Persian miniation, Ukiyo-e, and Chinese woodblock. In addition, utilizing multi-perspective, hard-edge and geometric painting methods, she is able to capture hectic and maniac aspects of Taiwanese culture: the combination of pleasures, oppression, fervency, and alienation.

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